Luister
a concert of electronic and acoustic resonating bodiesLuister.
Een concert van elektronische en akoestische resonerende lichamen met minimalistische pionier Eliane Radigue.
Met muziek van composer/performers Elisabeth Schimana, Pia Palme en Anne La Berge. Geheimzinnig, een onvolprezen en schitterend banket voor de oren dat nooit eerder te horen was in Nederland.
Programma:
WEISSE HÖRGEBIETE Pia Palme
een feministische atlas van gehoor
voor video, elektronica, contrabas recorder, tekst en lezing
Pia Palme
Occam XVIII Eliane Radigue
Pia Palme - contrabas blokfluit
Just Before Anne La Berge
voor spelers en Max App
Anne La Berge - fluit en stem
Virus #1.7 voor solo fluit Elisabeth Schimana
Anne La Berge - fluit
De presentatie van video-portretten #04 Eliane Radigue en #07 Anne La Berge
IMAfiction zijn afkomstig van het Oostenijks Institut für Medienarchäologie video portretreeks die gewijd is aan vrouwelijke mediakunstenaars met de bijzondere focus op sonische kunst.
"Eliane Radigue has composed electronic music since the sixties. She is the only French woman composer of her generation who can be considered to be a pioneer of this genre, and of minimal music as well. Her music is a slow flux of dense sounds subject to imperceptible mutations. A timeless architecture of deep vibrations speaking not to the intellect or to hearing, but to the entire body. A music which is unsettling if one submerges oneself in it. A music that possesses the monumental subtlety of the movement of oceans."
Emmanuel Holterbach
"The powerful nature of Anne La Berge isnt just that she is a virtuoso performer, or that she embraces technology: its that she visibly has fun with it. She mocks and circles around the question, her scientist-daughter mind so sharp that you know she is fully aware of the audience and its perceptions and yet she is not so self-absorbed that she misses being in the moment. Her music and performances do not suffer from cynicism or that kind of post-modern criticism that chides itself from being joyful. Her music is engaging and infectious. As a listener you marvel at her technique and want to know if her stories are true and how she is inspired. As a composer/performer you want to be on stage with her." Rebekah Wilson
http://elise.at/project/Virus1
http://piapalme.at/
http://ima.or.at/en/imafiction/
http://annelaberge.com/rose-petal-jam/
https://en.wikipedia.org/wiki/ÉlianeRadigue
Listen
a concert of electronic and acoustic resonating bodies
Listen.
a concert of electronic and acoustic resonating bodies featuring the minimalist pioneer Eliane Radigue joined by composer/performers Elisabeth Schimana, Pia Palme and Anne La Berge. Haunting, transcendent and crushingly beautiful feasts for the ears never heard on Dutch stages until tonight.
Programma:
WEISSE HÖRGEBIETE Pia Palme
a feminist atlas of hearing for video, electronics, contrabass recorder, text & lecture
Pia Palme - performer
Occam XVIII Eliane Radigue
Pia Palme - contrabass recorder
Just Before Anne La Berge
for performers and Max patch
Anne La Berge - flute
Virus #1.7 for solo flute Elisabeth Schimana
Anne La Berge - flute
Presentation of portraits #04 Eliane Radigue and #07 Anne La Berge
IMAfiction is the Austrian Institut für Medienarchäologie video portrait series dedicated to female media artists with a focus on sonic art.
Eliane Radigue has composed electronic music since the sixties. She is the only French woman composer of her generation who can be considered to be a pioneer of this genre, and of minimal music as well. Her music is a slow flux of dense sounds subject to imperceptible mutations. A timeless architecture of deep vibrations speaking not to the intellect or to hearing, but to the entire body. A music which is unsettling if one submerges oneself in it. A music that possesses the monumental subtlety of the movement of oceans. Emmanuel Holterbach
The powerful nature of Anne La Berge isnt just that she is a virtuoso performer, or that she embraces technology: its that she visibly has fun with it. She mocks and circles around the question, her scientist-daughter mind so sharp that you know she is fully aware of the audience and its perceptions and yet she is not so self-absorbed that she misses being in the moment. Her music and performances do not suffer from cynicism or that kind of post-modern criticism that chides itself from being joyful. Her music is engaging and infectious. As a listener you marvel at her technique and want to know if her stories are true and how she is inspired. As a composer/performer you want to be on stage with her. Rebekah Wilson
http://elise.at/project/Virus1
http://piapalme.at/
http://ima.or.at/en/imafiction/
http://annelaberge.com/rose-petal-jam/
https://en.wikipedia.org/wiki/ÉlianeRadigue